"...splendid solos... |
"...knowing solo work on trombone..." Down Beat |
...fine
trombone performance, considerable vocal ability, and excellent scat-singing..." Patrick Crichton, Head of the Jazz Department, Western Australian Conservatorium of Music, Perth, Western Australia; Artistic Director, Jazz Australia; then-Australasia Representative, IAJE Board |
"The ITA International
Trombone Festival [concluded] with an all-time brass blowoutand an amazing combination of 'Bone Power'on 'Jazz Night,' featuring Michael Davis, Raul de Souza, Antonio García, Bruce Paulson, Bill Reichenbach, and Bill Watrous." The Octopus |
"Your performance on
trombone at the IMEA All-State Convention was superb."
Illinois Music Educators Association Jazz Division |
"At all times Antonio
never played less than the 100% he promised.... He can be in my band whenever he wants." Phil Collins |
"The crowd was simply
blown away by his scat-singing and playing."
Dr. Scott Garlock, Director of Bands, Knox College |
Tenor
Trombone Solo Samples
|
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Title | Tempo/Style | Recording | Notes | ||||
I Remember You |
Medium Swing |
a YouTube playlist of virtual duets recorded separately by various artists with me |
Wanting to collaborate with other musicians during pandemic lockdown, I began this project, inspired partly by my eternal delight at hearing different musicians improvise on the same musical framework and partly by such wonderful recordings long ago as pianist Bill Evans' "Conversations with Myself." My thanks to my many duet partners on this project! At this writing they include trombonists Russ Phillips and Al Hermann. Soon to be posted are trombonists Wycliffe Gordon and Harry Watters, trumpeter Ingrid Jensen, and saxophonist Tom Christensen. |
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I Like Bebop |
A Cappella Uptempo |
archival |
stop-time blues with a bridge (composed García) |
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--- |
A Cappella Uptempo |
archival
|
stop-time rhythm changes in F, with harmon mute (excerpt) |
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--- |
Uptempo |
archival |
with band |
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S.N.O.W.-Bliz Bop |
Uptempo Bebop |
archival |
stop-time bop solis, based on Donna Lee (composed García) |
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--- |
Medium Up Bebop |
archival |
on Joy Spring changes |
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--- |
Medium Waltz |
archival |
from Neil Gonsalves' Southern Skies and Lavender Blue |
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--- |
Medium Bird Blues |
archival |
on Blues for Alice changes |
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--- |
Medium Bird Blues |
on Blues for Alice changes | |||||
--- |
Medium Up Bebop |
archival |
based on How High The Moon changes |
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London Town Fantasy* | Haydn "London" Symphony even-eighths; "Foggy Day"-style medium swing | performance of live Tbn + MIDI orchestra The orchestral video version above includes trombone improvisation; the piano-reduction mp3 version includes the optional, written-out trombone solo. No improvisational skills are needed by the pianist. |
comm. by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (VA) to "showcase the trombone in a jazz ballad style and somehow reference the Haydn 'London' Symphony" and elements of George Gershwin's "A Foggy Day (in London Town)." composed GarcĂa, currently published in the format of trombone soloist with piano reduction, the orchestral version forthcoming. |
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Post-Polyposis 'Gnosis Blues |
Multiphonic Blues |
archival |
(composed García, also playing hi-hat) |
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--- |
Multiphonic Ballad |
archival |
excerpt |
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Just A Closer Walk With Thee | Multiphonic Ballad, then Traditional New Orleans Jazz | An improvisatory duet with my friend and trombonist Craig Klein (bandleader; member of the Grammy Award-winning New Orleans Nightcrawlers; co-founder of Bonerama; and a Preservation Hall Jazz Master). Performed at the memorial celebration for my brother, José L. García II (the first trombonist in my family). |
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Loved One* |
Ballad Swing |
What Are We Here
For?, JazzTech Big Band (Sea Breeze SB-2067), 1995 |
The complete chart is included; Basie-style ballad a la Li'l Darlin' (composed García) |
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Contemporary Ballad Waltz |
archival |
excerpt |
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--- |
Multiphonic Ballad |
archival |
excerpt |
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Home Is Where The Heart Is |
Ballad Swing |
archival |
The complete chart is included (composed García) |
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--- |
New Orleans Plunger Ballad |
archival |
excerpt |
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By the Light of the Dawn* | Bolero (Latin ballad) | live concert
video by the Youth Jazz Ensemble of DuPage |
The complete chart is included (composed García). | ||||
--- |
2-3 Clave Blues |
archival |
excerpt |
||||
--- |
Medium Samba |
archival |
excerpt |
||||
---
|
Medium Samba | archival |
This video excerpt from many (many!) years ago is courtesy of the New Trier High School Jazz Festival (IL). My solo during this pro jam session is preceded by the wonderful tenor saxophonist Mark Colby and followed by the superb "harmonicat," Howard Levy. If memory serves, the great rhythm section is Mike Kocour (piano), Larry Gray (bass), and Bob Rummage (drums)my thanks to all! | ||||
Samba Sin Palabras* |
Medium Samba |
archival |
This excerpt is over the tune's changes. Below you'll find another excerpt over a montuno (composed García). |
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Cha-Cha Yunque* |
Medium Cha-Cha |
archival |
Most of the chart is included. The solo picks up from the entrance of backgrounds (composed García). |
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--- |
Bossa Nova |
archival |
excerpt |
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--- |
Funk |
archival |
excerpt |
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Soft Spot* |
Slower Swing, Plunger |
live concert video
of the club recording session for |
The complete chart is included (composed García): sassy, bump-and-grind plunger trombone feature with blues-march bridge. My thanks to Brian Jacobi (second trombonist in this band) for the video footage, which I then synchronized to the audio from the final CD mix. And special thanks to Rob Parton, whose JazzTech Big Band has been of the highest quality for decades, all the while promoting original compositions. |
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Slow C Minor Blues with Mutes |
archival mp3 file |
Unaccompanied minor blues, using a harmon mute, plunger mute, and wearing Bolivian goat nails on the slide-hand. | ||||
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|
Uptempo Bluesy | archival mp3 file RealAudio File |
a clip from a live recording project | ||||
--- |
Medium Up C Minor Blues | from |
from Adrien Re's The Full Bob a Loo | ||||
--- |
Slow Bluesy, Plunger | from Jazz Band Big, Adrien Re (Do Re Mi Studios SO90653137), 2018 mp3 file |
excerpt | ||||
Metanoia (A Change of Heart) |
Rubato Ballad |
archival |
Melody and solis included: ballad shifting to jazz waltz (composed García). |
Bass
Trombone Solo/Ensemble Samples
|
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---|---|---|---|---|---|---|---|
Title | Tempo/Style | Recording | Notes | ||||
"Hang" Time* |
Medium Swing |
Hot House,
Eastman Jazz Ensemble (Mark MJS-57615), 1985 |
a walking bass trombone line under a woodwind soli (composed García) |
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--- |
Medium Rock | studio
sessions mp3 file RealAudio File |
Assignment: "EDGE"! Taking the paint off the wall... |
Piano
Solo Samples
|
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---|---|---|---|---|---|---|---|
Title | Tempo/Style | Recording | Notes | ||||
Before I Go |
Ballad |
archival |
playing with the vibes in a "Chick Corea/Gary Burton" style (composed García) |
Vocal
Solo Samples
|
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---|---|---|---|---|---|---|---|
Title | Tempo/Style | Recording | Notes | ||||
--- |
Uptempo Samba |
archival |
unison stop-time, original soli with trumpet |
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Cheese Blues |
Medium Blues |
archival |
A spontaneous "vocalese" prompted by a middle-school student's suggested topic of "Cheese." (See video of same on Clinics page.) |
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--- |
Medium Swing |
archival |
on the changes to Take the "A" Train |
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--- |
Minor Blues |
archival |
excerpt |
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--- |
Bebop Blues |
archival |
on the changes to Billie's Bounce |
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--- |
Medium Up Swing |
archival |
on the changes to Sweet Georgia Brown |
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--- |
Uptempo Bebop |
archival |
on Cherokee changes |
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--- |
Medium Blues |
archival |
taking choruses with a wonderfully interactive rhythm section | ||||
Gonna' Go Dancin'* |
Medium Up Jazz Waltz |
archival |
stop-time 3/4 solo (composed García) |
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--- |
Shuffle Blues |
archival |
excerpt |
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NU's to You! |
Medium Swing |
archival |
groovin' with a few players (composed García) |
Tenor
Trombone and Vocal Solos Together
|
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---|---|---|---|---|---|---|---|
Title | Tempo/Style | Recording | Notes | ||||
Antonio García Faculty |
wide variety! | concert video |
original compositions and jazz standards in swing, bebop, Latin, New Orleans, and other styles for combos, big bands, and more (an hour and a half) | ||||
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Medium Bebop |
archival |
going back and forth from horn to voice |
||||
Samba Sin Palabras* |
Medium Samba |
archival |
vocal solo, then horn solo over montuno (earlier excerpt above has horn
solo over tune's changes) |
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